🧵Unraveled Code: Matrix Glitches Hint at Our Simulated Reality

🚨 Ever feel reality flicker? Glitches in the matrix, moments where time skips, objects vanish, déjà vu hits “hard” cats and people frozen in space — are buzzing across social media. From doppelgänger sightings to conspiracies happening in real time. But wait, there’s proof 👇🏽 we are indeed living in a simulation. 👀

My book series, “Anomaly in the Construct,” dives deep into this mind-bending truth. In “Illusion in the Matrix: We Architect Our Own Reality” and “Controlled Rebellion,” I explore how we might be coding our own existence, or someone else is.

Check out these wild glitch images from believers who say the simulation hypothesis is 99% real. What’s “your” glitch story? #MatrixGlitch #AnomalyInTheConstruct #SimulationTheory

1. Castilblanco, Extremadura, Spain: Flying humanoid or something displaced?

2. Near the Getty Museum in Los Angeles, California

If Earth’s a ball, why’s the view so tall and flat, guess the curve forgot to chat!

8 Locations on Earth Where the Terrain Appears Flat.

I’m diving into some jaw-dropping locations where the ground stretches out so smooth and level, you’d swear we’re living on a giant cosmic pancake. From salt flats that mess with your depth perception to plains so vast they’d make a horizon blush, these places aren’t just scenic, they’re a big, bold nudge to rethink what we’ve been told about this planet. So, grab your skepticism and let’s explore these flat-out bizarre landscapes together!

1. Salar de Uyuni, Bolivia: This is the world’s largest salt flat, stretching over 10,000 square kilometers. When covered with a thin layer of water after rain, it turns into a massive natural mirror, creating an almost surreal, horizonless expanse that may very well be truth.

2. Derweze, Turkmenistan

The Door to Hell (also known as the Gate to Hell, the Crater of Fire, Darvaza Crater) is a natural gas field in Derweze, Turkmenistan, that collapsed into an underground cavern in 1971, becoming a natural gas crater. Geologists set it on fire to prevent the spread of methane gas, and it has been burning continuously since then. The diameter of the crater is 69 m, and its depth is 30 m.

London Bridge anomaly? Did I discover a sunken ship and parts of a decomposed alien hand? The fingers look extremely long. 👀

Thoughts?

Grok says its a dead jellyfish

In Hollywood, the actors sport tiny paws, while actresses reign with grander claws!

Will Smith
King Charles
Kanye West
Benny Johnson


Brad Pitt
JD Vance
Charlie Kirk
Tupac Shakur

Excerpt from “Controlled Rebellion” - my new book. 📕📚

Chapter 3

Ignited by the Unknown

Looking back on my suicide attempt, I still can’t believe I literally shot myself in the heart. Life had been hard, but not that hard. I tried explaining this to my family, but they didn’t get it. I’m not weak—I rise to the challenge and knock goals out of the box. I’ve always been the motivator, everyone’s biggest cheerleader, especially my own. “Oooh rah, bitches, let’s go!”—that’s me, leading my hiking group through the roughest terrain, living by my motto and the group’s name: “Leave no peak left unclimbed.” I’m a survivor, always have been. So when February 1, 2025, rolled around and I tried to end my life—not once, but twice—it didn’t add up. I can’t die, and part of me knows I should be grateful for the journey. But something “tried” to end me that day, something that hijacked my body, hell-bent on slashing my time in this dimension. I’ve got my theories, and they veer straight into the mysterious, the terrifying, the unknown.

It was like a fracture in my soul, that moment. I’ve always been the one to claw my way up, to spit in the face of despair and dare it to hit me harder. So standing there, rifle firm in my grip, the cold metal kissing my chest—it felt like a betrayal. Not of the world, but of “me,” I pulled the trigger, felt the bullet rip through flesh and bone, a supernova of pain that should’ve snuffed me out. But here’s the kicker: I didn’t die. Blood pooling, breath shallow, I sat there in the drivers seat of my Jeep waiting for the dark to take me, but it didn’t. Something wouldn’t let me go—something stronger than the chaos that drove me to that ledge. Was it me, the fighter I’ve always been? Or was it something else, something watching, pulling strings I couldn’t see? That question burns in me still, a live wire sparking in the wreckage of my mind.

The mainstream grey aliens, demons, the otherworldly monstrosities—they’ve been skulking in the corners of my mind since my days in the Chicago projects off Ellis, where me and my siblings scraped by with our mother. My grandmother, forged in the fires of Cabrini-Green, and my great-grandmother, a survivor of Wentworth Gardens, filled my head with tales that blurred the line between folklore and reality. Were demons just aliens wearing a different mask? Growing up, it damn sure felt that way. My obsession with UFOs—UAPs, as they’re called now—didn’t come out of nowhere. It was carved into me by three razor-sharp memories from childhood, moments that flipped my worldview upside down, each one a jagged shard of truth lodged in my bones.

In December of 1977, the winds of fate shifted, tugging at the fragile threads of our existence like a storm brewing over Lake Michigan. We were children of the Chicago "projects," raised in the shadow of towering dreams and crumbling realities, yet life hadn’t yet bared its sharpest teeth. Our world shimmered with small graces: the lake’s restless waves stretched before us, a silver-blue canvas framed by our 10th-floor window, a sight so breathtaking it softened the edges of hardship. Hunger never darkened our door—we ate hearty meals seasoned with laughter—and the love of family and friends wrapped around us like a quilt stitched with resilience. Our mother, Kitty, was a radiant force, her youth and beauty a beacon in our little universe. She was still very much alive then, her spirit unbroken, working as a nursing assistant at Chevy Chase Hospital alongside her own mother, their hands tending to the sick with a quiet dignity that held us all aloft.

Our home was a corner unit perched high in the "Clarence Darrow Homes," a low-rise fortress of concrete and hope christened the "Lakeshore Properties" by those who saw its proximity to the water as a gift. Nestled near 39th Street and Ellis Avenue on the South Side, it stood as part of a constellation of Chicago Housing Authority projects birthed in the early 1960s, enduring through the turbulent 1970s. These buildings rose from the earth to house the city’s forgotten, their foundations laid close to Lake Michigan’s shore, where the water’s gleam offered a fleeting illusion of escape. Yet beneath the surface lingered whispers—rumors that the Clarence Darrow Homes, alongside the Ida B. Wells Homes and Madden Park Homes, were built atop sacred grounds, the resting places of Native American souls. Chicago’s history murmurs this truth: a city forged atop the bones of its first peoples, its progress a palimpsest over their silenced stories. Sometimes, late at night, I’d swear I felt them—those restless spirits—stirring beneath the floorboards, their voices a low hum in the walls, calling out for something lost.

Inside our apartment, life pulsed with vibrancy. The air thrummed with music—soulful Motown riffs or the clatter of pots as family gathered—while the aromas of fried chicken and greens wove through the rooms, a testament to the love that kept us whole. Christmas hovered on the horizon, its promise glittering like tinsel. Kitty had recently hung a picture on the wall by my bed: two clasped hands carved in prayer, etched with words that would soon haunt me. “Now I lay me down to sleep—I pray the Lord my Soul to keep, if I should die before I wake, I pray the Lord my Soul to take.” She insisted I recite it each night, her voice soft but firm, as if those lines could shield me from the unknown. On Christmas Eve, I nestled beneath my blankets, eyes wide with wonder, when a sound pierced the stillness—bells, faint and silvery, jingling from what I swore was Santa’s sleigh slicing through the winter sky. In that moment, I believed with every fiber of my six-year-old heart. Years later, doubt would creep in, spotlighting the lies with the cold light of misinformation, but back then, it was magic—a fragile thread tethering me to hope.

Below, I have crafted an experiment, a ‘Reality Consistency Test’ that a character or person might undertake to unravel the enigma of their existence: do they dwell within the authentic, unyielding bounds of a physical world, or are they ensnared within the intricate tapestry of a simulated, layered reality?

The "Reality Consistency Test"

(Main objective)

This test, a fusion of philosophical musing, the rigid axioms of physics, and the cunning logic of computer science, seeks to expose the subtle fissures that distinguish the real from the artificial. Much like the provocative themes woven into Carli Frueh’s “Illusion Veils the Matrix,” ( a.co/d/eUgBwlQ ) where the notion that "We Architect Our Own Reality,” blurs the line between creator and creation, this test probes whether the environment bows to the immutable laws of a tangible universe or betrays itself through telltale signs of computational artistry—glitches, shortcuts, or manipulations orchestrated by an unseen hand. It examines if the world prioritizes its rendering in alignment with the character’s gaze, a sly optimization tactic emblematic of a simulation’s efficiency, or if it steadfastly upholds a relentless, uniform depth of detail, unwavering regardless of where attention falls, as one would expect from the boundless fidelity of physical reality.

1. Test for Computational Limits (Processing Power Check)

The character performs an experiment requiring immense computational detail, such as observing a complex quantum event (e.g., measuring the spin of entangled particles repeatedly) or calculating an irrational number like π to billions of digits while observing the environment.

In layman’s terms 👇🏽

Imagine you have two magic coins that are "connected" in a special way. Whenever you flip one, the other instantly shows the same result, no matter how far apart they are. In physics, this is akin to “quantum entanglement,” particles linked so that measuring one instantly affects the other. The "spin" is just a property of these tiny particles, like how a top spins.

Expectation in Reality: In a physical world, such events would resolve naturally and consistently, limited only by the character’s tools, not the universe itself.

Simulation Telltale: If the environment lags, seemingly glitches (e.g., objects lose detail), or fails to render fine-grained results, it might suggest a simulation with finite processing power struggling to keep up.

2. Probe Causality and Time Continuity

The character sets up a highly sensitive cause-and-effect chain (e.g., a Rube Goldberg machine with thousands of precise steps) and observes it over time. They could also attempt to "rewind" their perception by focusing on memory and checking for discrepancies.

What’s a Rube Goldberg Machine?

A ‘Rube Goldberg Machine,’ is like a crazy, over-the-top chain reaction gadget.

An example:

You drop a ball, it rolls down a ramp, hits a domino, which knocks over more dominoes, which tips a cup, which spills water, which makes a toy boat float and pull a string, which swings a hammer to pop the balloon. That’s a small one. Now imagine it with thousands of steps—way more ramps, dominoes, strings, bells, and gadgets, all perfectly lined up so each step triggers the next without fail. What Does “Thousands of Precise Steps” Mean?

“Thousands of precise steps” just means the machine has tons of little actions that have to happen exactly right, one after the other, for the whole thing to work. Every piece has to be in the perfect spot, and every move has to happen at the perfect time—like a super-long domino chain where nothing can go wrong, or the end won’t happen.

Why It Tests Reality?

Think of it like this: a real world doesn’t care how complicated your machine is… it’ll keep chugging along based on solid, mathematical rules. But a simulation is like a lazy Hollywood movie producer. If it’s got too much to handle (thousands of little actions), it might glitch, skip parts, or freeze up because it’s just a program with limits. Spotting those glitches—like a domino floating or a sound missing should tell the character, “Hey, this isn’t real; it’s a fake setup!”

3. Exploit Sensory Overload

The character exposes themselves to an overwhelming sensory input—blinding lights, deafening sounds, and chaotic motion—all at once, while focusing on minute details (e.g., the texture of a leaf or a distant sound).

Expectation in Reality: The brain might struggle, but the world itself would remain fully detailed and unaffected.

Simulation Telltale: If distant or peripheral details blur, degrade, or fail to render (like a video game prioritizing the player’s focus), it suggests a simulation optimizing resources.

4. Challenge Physical Constants

The character measures a fundamental constant (e.g., the speed of light, gravitational pull) in different locations or under extreme conditions (e.g., near a massive object or at high velocity).

An example:

This just means being close to something huge and heavy, like a mountain, a planet, or even a black hole. Big stuff like that bends the rules of the universe a little—time slows down, gravity gets stronger—because of how physics works (Einstein’s relativity stuff). In terms of at high velocity, it simply means moving really, really fast…like speeding in a car, a rocket, or even light itself. When you go super fast, weird things happen. Time stretches and distances shrink.

The idea is to check if these weird effects happen the way they’re supposed to in a real universe, or if they act funky, like a simulation cutting corners.

Expectation in Reality: Constants remain, well, constant, barring relativistic effects predictable by physics.

Simulation Telltale: Fluctuations, rounding errors, or arbitrary caps (e.g., a “maximum speed” that doesn’t align with relativity) might reveal a coded limit.

What if?

As pixels pirouette through the coded cosmos, each soul plays its role, threading the needle of fate through the tapestry of a simulated life.

In the grand simulation of existence, every character dances their scripted steps, unknowing pawns in life's cosmic game.

Asylum of the Simulacrum (Game) Please tell her what you told me about the nature of reality!
We have all been lied to.

Waking up in a simulation, humans find the real world is just a dream they've yet to escape… Disneyland Paris

Have you ever observed Disneyland Paris from above?

What if "trusting the plan" is just another level in a simulated reality, designed to keep genuine patriots occupied within a predetermined storyline, offering them only a few paths to glory? We are constantly following a repetitive script of characters both real and unreal, fact and fiction. With highly organized plots, hints, and cues as “we the people” strive to live one day to the next. Always hoping that today is the day we find reprieve, and win this life. Everyday there’s a new plot twist to get the blood pumping. But in this simulation, as long as you keep playing "the game," you're trapped in cycles that might last for millennia.

Elon Musk has frequently mentioned the idea that we might be living in a simulation, drawing parallels with the advancement of video games. He notably discussed this during an interview on "The Joe Rogan Experience" in 2018, where he suggested that if advanced civilizations create simulations, the odds are high that we're in one of those simulations rather than in "base reality." He goes on to say,
if such civilizations exist, they would likely create numerous simulations, making the chance of our reality being the “real world” one in billions.

Musk has also highlighted the rapid progression of video games from simple games like Pong to photorealistic 3D simulations, suggesting that if this trend continues, games could become indistinguishable from reality.

Remarkably, there is a concept in futurology, philosophy of technology, and artificial intelligence that refers to a hypothetical point in time at which technological growth becomes uncontrollable and irreversible, resulting in unforeseeable changes to human civilization. It’s known as the “technological singularity.” The singularity is often described as the moment when artificial intelligence (AI) exceeds human intelligence, leading to an intelligence explosion where machines can improve themselves at an exponential rate. Technological development would not just continue at its current pace but would accelerate, leading to a point where change is too rapid for humans to predict or manage. After the singularity, the world would be so different that we cannot predict what it would look like; human life, society, and technology would be fundamentally transformed.

Reality vs. Simulation

Games often play with the concept of what is real, particularly in narratives involving virtual realities or simulated worlds (e.g., "The Matrix" influence on games like "Deus Ex"). This ties into broader philosophical discussions about the simulation theory.

How do avatars or player characters in games reflect or shape our identity? Games can be a space for identity exploration or reinforcement, questioning what it means to be oneself in different contexts. Games are seen as educational tools, where knowledge is gained through experience and interaction. This connects to constructivist learning theories where knowledge is constructed through active engagement.

Games have explicit rules, which can be a metaphor for understanding how we perceive and navigate the rules of our own reality or social constructs. Players often have freedom within the constraints of game rules, mirroring life where we have agency but within a framework of societal norms or physical laws.

Can your true life purpose be discovered through game play? Can interacting with other players, and or characters, on the game board provide a sense of purpose or achievement, which might be seen as commentary on how humans seek meaning in life? Existential themes are prevalent in games where player choice significantly affects the narrative or outcome?

In the book “Homo Ludens” Johan Huizinga's work suggests that play is fundamental to culture, seeing games as a primary mode of human expression and learning. “Hans-Georg Gadamer” believed that play is a fundamental aspect of human experience and life. He believed that play is a serious activity with universal elements that can be seen in many different forms. Where the player is not just a subject but part of the game's event, suggesting a deeper philosophical engagement with the act of playing.

Gamification, the application of game-design elements in non-game contexts (like education or work) raises questions about motivation, manipulation, and the essence of what makes an activity a "game."

The philosophy of games is complicated, but once properly understood, the student gains deep insights into human nature, technology, culture, the nature of interaction, and experience, and ultimately the reason we all wanted to play games in the first place.

It's a testament to how games are not just entertainment but also a profound medium for philosophical and spiritual inquiry.

Yet, as we ponder these profound connections, we circle back to the initial question: What if "trusting the plan" is just another level in a simulated reality, designed to keep genuine patriots occupied within a predetermined storyline, offering them only a few paths to glory? Are we, then, merely players in a game that spans millennia, where our actions, our choices, and our trust in a larger narrative are all part of a grand simulation? This question challenges us to reflect on the authenticity of our pursuits, the nature of our freedom, and whether our engagement in this 'game' of life is leading us towards true victory or merely perpetuating an endless cycle of simulated challenges.

Just as I have mentioned before, Inversions have happened since antiquity. There isn’t anything new under the sun, simply repeats of old.

The mummy of Pharaoh Amenhotep III and the mummy of his beloved, Queen Tiye stands as an extraordinary relic of ancient Egyptian royalty, dating back over 3300 years.


“Androgyny in Egyptian Antiquity*

Androgyny in ancient Egypt was a complex and nuanced aspect of their culture, often intertwined with religious and political beliefs. As described in ancient text, the god Atum was often depicted as androgynous, symbolizing the creative power of both male and female.

In Egyptian art, androgyny was also used to depict certain deities. For instance, the god Osiris was sometimes depicted with both male and female characteristics, symbolizing his role as a regenerative force in the afterlife.

The pharaoh Hatshepsut, is one of the most well known examples of androgyny in antiquity. She reigned during the 15th century BCE, coming to power after the death of her husband, Thutmose II. According to the teachings, Hatshepsut is interesting to historians due to how she was sculpted. In many of the relics left behind she appears androgynous, and in other cases distinctly male. As asserted by antiquarians, this was not an attempt to hide her femininity but rather to assert her divine right to rule as a pharaoh. In-turn we can assume Hatshepsut chose to portray herself as androgynous to show herself as a strong capable leader. The act may have also been politically motivated, an expression of gender identity or that it was a product of her religion.

Die as a freeman or live as a slave?

“The Matrix” is a system, Neo. That system is our enemy. But when you're inside, you look around, what do you see Businessmen, teachers, lawyers, carpenters. The very minds of the people we are trying to save. But until we do, these people are still a part of that system and that makes them our enemy." Matrix 1999

The Universe operates on a binary code of 0s and 1s, therefore, when you encounter repeated sequences like 1111, 888 or 222, it could be interpreted as an error or flaw in a simulation, hinting that you might be able to break out and or exit the matrix.

The concept of a glitch in the Matrix is most famously depicted through the phenomenon of déjà vu. Neo experiences this when he sees a black cat walk by twice in exactly the same way within seconds. Morpheus explains that déjà vu is a glitch in the Matrix, indicating that something within the system has changed or is about to change. (The Mandela effect?)🤔 During the scene where Neo experiences déjà vu, Trinity also notices an architectural change in a building's appearance, which further confirms the glitch. This is a direct visual representation of the Matrix's system malfunctioning or being altered.

In “The Matrix Reloaded" (2003), Agent Smith's ability to multiply and his eventual rebellion against the system is seen as a significant glitch. Smith's actions later in "The Matrix Revolutions" further destabilize the system. Later in the film Seraph, Morpheus and Trinity pursue the Trainman to secure Neo's release, but he escapes. The Trainman’s world, which is a part of the Matrix not meant for humans, shows a more chaotic and less controlled version of the simulation, (akin to you at home playing “Grand Theft Auto.” on your Xbox.) NPCs, Characters, Role-PLAYING, amongst others, always hints at the underlying mechanics and potential for glitches and or other anomalies.

These instances serve both to illustrate the artificial nature of the world within the Matrix and to advance the plot by showing characters that they are in a simulated reality where rules can sometimes break down or be manipulated.

“You have to understand, most people are not ready to be unplugged. And many of them are so inured and so hopelessly dependent on the system that they will fight to protect it." - Morpheus 

“The choice is not between living and dying, it's between being a slave or fighting for your freedom."

A mix of many Worlds ?

“The Matrix” is a system, Neo. That system is our enemy. But when you're inside, you look around, what do you see Businessmen, teachers, lawyers, carpenters. The very minds of the people we are trying to save. But until we do, these people are still a part of that system and that makes them our enemy." Matrix 1999

The Universe operates on a binary code of 0s and 1s, therefore, when you encounter repeated sequences like 1111, 888 or 222, it could be interpreted as an error or flaw in a simulation, hinting that you might be able to break out and or exit the matrix.

The concept of a glitch in the Matrix is most famously depicted through the phenomenon of déjà vu. Neo experiences this when he sees a black cat walk by twice in exactly the same way within seconds. Morpheus explains that déjà vu is a glitch in the Matrix, indicating that something within the system has changed or is about to change. (The Mandela effect?)🤔 During the scene where Neo experiences déjà vu, Trinity also notices an architectural change in a building's appearance, which further confirms the glitch. This is a direct visual representation of the Matrix's system malfunctioning or being altered.

In “The Matrix Reloaded" (2003), Agent Smith's ability to multiply and his eventual rebellion against the system is seen as a significant glitch. Smith's actions later in "The Matrix Revolutions" further destabilize the system. Later in the film Seraph, Morpheus and Trinity pursue the Trainman to secure Neo's release, but he escapes. The Trainman’s world, which is a part of the Matrix not meant for humans, shows a more chaotic and less controlled version of the simulation, (akin to you at home playing “Grand Theft Auto.” on your Xbox.) NPCs, Characters, Role-PLAYING, amongst others, always hints at the underlying mechanics and potential for glitches and or other anomalies.

These instances serve both to illustrate the artificial nature of the world within the Matrix and to advance the plot by showing characters that they are in a simulated reality where rules can sometimes break down or be manipulated.
“You have to understand, most people are not ready to be unplugged. And many of them are so inured and so hopelessly dependent on the system that they will fight to protect it." - Morpheus 

“The choice is not between living and dying, it's between being a slave or fighting for your freedom."

Who remembers Barack Obama’s first speech after winning the 2008 presidential election? It was delivered the night of November 4, 2008 in Grant Park, Chicago. I remember that day as if it was yesterday. My boys were young and still at home, their father was dropping them off after football practice, and my daughters were in the military and college. We had the television on in the family room, waiting for Obama to walk up to the podium. You could hear a pin drop, thats how quiet it was. We were all so happy, it was amazing and everyone was hopeful for the future.

In this speech, Obama spoke to a crowd of about 240,000 people, addressing the historic nature of his victory as the first African-American president, the challenges facing the nation, and his vision for America. He famously declared, "It's the answer spoken by young and old, rich and poor, Democrat and Republican, black, white, Latino, Asian, Native American, gay, straight, disabled and not disabled — Americans who sent a message to the world that we have never been a collection of Red States and Blue States: we are, and always will be, the United States of America.

A full transcript of the speech is below.
—-

Hello, Chicago.

If there is anyone out there who still doubts that America is a place where all things are possible, who still wonders if the dream of our founders is alive in our time, who still questions the power of our democracy, tonight is your answer.

It's the answer told by lines that stretched around schools and churches in numbers this nation has never seen, by people who waited three hours and four hours, many for the very first time in their lives, because they believed that this time must be different, that their voice could be that difference.

It's the answer spoken by young and old, rich and poor, Democrat and Republican, black, white, Latino, Asian, Native American, gay, straight, disabled and not disabled — Americans who sent a message to the world that we have never been a collection of Red States and Blue States: we are, and always will be, the United States of America.

It's the answer that led those who've been told for so long by so many to be cynical and fearful and doubtful about what we can achieve to put their hands on the arc of history and bend it once more toward the hope of a better day.

It's been a long time coming, but tonight, because of what we did on this day, in this election, at this defining moment, change has come to America.

youtu.be/LEo7lzfpdCU?si…

A full transcript of the speech is below.


I just received a very gracious call from Senator McCain. He fought long and hard in this campaign. And he's fought even longer and harder for the country that he loves. He has endured sacrifices for America that most of us cannot begin to imagine. We are better off for the service rendered by this brave and selfless leader. I congratulate him; I congratulate Governor Palin for all that they've achieved, and I look forward to working with them to renew this nation's promise in the months ahead.

I want to thank my partner in this journey, a man who campaigned from his heart, and spoke for the men and women he grew up with on the streets of Scranton and rode with on the train home to Delaware, the Vice President-elect of the United States, Joe Biden.

And I would not be standing here tonight without the unyielding support of my best friend for the last 16 years, the rock of our family, the love of my life, the nation's next First Lady, Michelle Obama. Sasha and Malia, I love you both more than you can imagine, and you have earned the new puppy that's coming with us to the White House. And while she's no longer with us, I know my grandmother is watching, along with the family that made me who I am. I miss them tonight, and know that my debt to them is beyond measure.

To my sister Maya, my sister Auma, all my other brothers and sisters, thank you so much for all the support that you've given me. I am grateful to them.

To my campaign manager, David Plouffe, the unsung hero of this campaign, who built the best — the best political campaign, I think, in the history of the United States of America. To my chief strategist David Axelrod, who's been a partner with me every step of the way. To the best campaign team ever assembled in the history of politics — you made this happen, and I am forever grateful for what you've sacrificed to get it done.

But above all, I will never forget who this victory truly belongs to. It belongs to you. It belongs to you.

I was never the likeliest candidate for this office. We didn't start with much money or many endorsements. Our campaign was not hatched in the halls of Washington. It began in the backyards of Des Moines and the living rooms of Concord and the front porches of Charleston. It was built by working men and women who dug into what little savings they had to give $5 and $10 and $20 to the cause.

It grew strength from the young people who rejected the myth of their generation's apathy who left their homes and their families for jobs that offered little pay and less sleep. It drew strength from the not-so-young people who braved the bitter cold and scorching heat to knock on doors of perfect strangers, and from the millions of Americans who volunteered and organized and proved that more than two centuries later a government of the people, by the people, and for the people has not perished from the Earth.

This is your victory.

And I know you didn't do this just to win an election. And I know you didn't do it for me.

You did it because you understand the enormity of the task that lies ahead. For even as we celebrate tonight, we know the challenges that tomorrow will bring are the greatest of our lifetime — two wars, a planet in peril, the worst financial crisis in a century. Even as we stand here tonight, we know there are brave Americans waking up in the deserts of Iraq and the mountains of Afghanistan to risk their lives for us. There are mothers and fathers who will lie awake after the children fall asleep and wonder how they'll make the mortgage or pay their doctors' bills or save enough for their child's college education. There's new energy to harness, new jobs to be created, new schools to build, and threats to meet, alliances to repair.

“Tartaria Lives - All around the World”

From the buried spires of Tartaria, history's shadows whisper of a world we've been taught to forget.

Many of the Tartarian structures were demolished in the early 1900s, but there are still many you may not be aware of. Check out my short list below:

This will be an ongoing thread.

1. Duomo di Milano Cathedral 2.Cologne

‘Covert Body Language in Hollywood & Politics’

You might be curious about what neuro-linguistic programming (NLP) is. In simple terms, NLP involves a mix of verbal and non-verbal cues designed to influence your reactions, thoughts, and emotions in a targeted manner. While NLP offers several beneficial outcomes, it's also recognized as one of the most potent mind control techniques from the 20th century. NLP can be used to influence or manipulate others, potentially in unethical ways. There are concerns that these techniques can be applied to deceive or pressure people into actions they might not otherwise choose, raising ethical questions about consent and autonomy.


Protecting oneself from Neuro-Linguistic Programming (NLP) when it might be used in manipulative or unethical ways involves both vigilance and understanding of the techniques.

Here are a few strategies:

1.Educate yourself about NLP techniques like mirroring, pacing and leading, anchoring, and the use of vague language. Knowing these can help you recognize when they're being used on you.

Are We Living in a Simulation? Exploring the Simulation Hypothesis with Earth as a Game Board

Imagine if our entire reality, from the ground beneath our feet to the stars above, was nothing more than an elaborate simulation. This isn't just the plot of "The Matrix" but a theory known as the **Simulation Hypothesis**. Proposed by philosopher Nick Bostrom in 2003, this idea suggests that we could be living in a computer simulation created by a more advanced civilization.

What is the Simulation Hypothesis?

At its core, the Simulation Hypothesis posits that if civilizations can one day create simulations indistinguishable from reality, then there's a high probability we're living in one such simulation.

Bostrom's argument hinges on three possibilities:

1.No civilization makes it to the technological level where they can create such simulations.
2.Civilizations at that level choose not to run them, or…
3.We’re almost certainly living in a simulation.

High-profile figures like Elon Musk have openly mused about this theory, suggesting that it's highly probable we are living in a simulated reality. At the Recode Code Conference in 2016, Musk stated that there is "a billion to one chance we're living in base reality," implying that he believes it's overwhelmingly likely we're living in a simulation. He likened the advancement of video game technology from simple games like Pong to current photorealistic 3D simulations, suggesting that if this trend continues, games will become indistinguishable from reality.

Some scientists argue that peculiarities in quantum physics, like the observer effect, could be explained if we're in a simulation where reality is rendered only when observed.

Earths architecture as seen from above resembles game layouts, and are embedded into every city, town or commonwealth on Earth. See image: 33

This is "The Mansion of Happiness," an early board game designed for children. It was patented in the United States in 1843 by Anne Abbott. The game is a moralistic board game where players move their tokens along the path by spinning a teetotum (a type of spinning top). The goal is to reach the "Mansion of Happiness" located at the end of the track, which represents a state of moral perfection. Along the way, players can land on spaces that either reward or punish them for their virtues or vices, reflecting the moral teachings of the time.


See image: 341

This image depicts a "Snake Game," which is a type of board game similar to the game "Snakes and Ladders." The game features a linear track with numbered, colored spaces, some of which are connected by "snakes" that can send players back down the board if they land on the head of a snake. The game is themed with American imagery, including the American flag at the top, and it appears to have historical and patriotic illustrations along the path. This type of game is designed to teach moral lessons, with the snakes often representing setbacks due to bad behavior or decisions.

I am not in anyway accusing Jamie Lee Curtis of anything, just admiring genetics.

Notably, there are many lucrative reasons to launch “false flag attacks.”

“Moms who kill: 4 of the most infamous alleged mommy murders in history. Let’s deep dive into “Mothers” killing their children.”

Child trafficking has been around a long time…. just saying.

1.Leilani Simon: After days of searching a Waste Management landfill in Chatham County, for the remains of 20-month old Quinton Simon, who was last seen inside his Savannah home. The police, and FBI have not located Quinton’s body. Despite identifying their suspect, police have not charged anyone in connection with Quinton’s disappearance and presumed death.

You see anything interesting in the images?

2. Susan Smith was convicted in 1995 of drowning her two young sons. She concocted a story about a Black Man stealing her car with her child inside. Forensic psychiatrist Dr. Phillip Resnick testified for Yates, stating she was delusional and believed she destroyed her children because they would later become criminals.

This story is true, it happened to me.

🧵UFO Whispers on the Edge of Reality: A Journey Through Time on Route 66”

On Tuesday, December 10, 2024 on a lonely stretch of I-40, I encountered something beyond explanation, merging the line between reality and, well many unspeakable truths.

I was traveling from Las Vegas to Dallas on Interstate 40 to spend the holidays with my family. Very sober times indeed; another chapter closed, and somewhere marriage bites the dust in the unjust justice court system in America.

It's a longer route by a few hours, but it's beautiful and scenic, and these sights always give me pause. Anyway, I was driving down I-40 and, not usually liking to drive in the dark, I had already charted my path. I decided to pull over in Williams, Arizona. I gassed up and asked the cashier to fill 'er up and if he minded if I pulled over to get some shut-eye. He said of course not. I parked in a more secluded (or so I thought) spot and noticed a few images of what looked to be animal statues... or perhaps stuffed? Nevertheless, it was an impressive design, if I ever saw one, and I couldn't help thinking "emaciated," but why? I've attached an image I found online that’s similar. It was too cold to take a picture, and why would I anyway? I stared at it for a moment, let my mind run amok, and considering it was already dark, and I was on "historic Route 66," it seemed prudent to find another spot, which I did.

I drove up around the bend towards the Grand Canyon, made my way about 4 more miles east, and began feeling increasingly anxious and fearful. There wasn't any particular reason I could think of at the time, outside of simply preferring to drive in the light rather than in the darkness. The trepidation was unshakable, and I was full steam ahead with no end in sight. Stopping at a crosswalk, I felt the earth move under my car, literally. Was that an earthquake? I thought mentally. I had experienced inertia before; the most recent time was hiking up Lone Mountain in Las Vegas, and another instance while hiking Bell Rock in Sedona.

As I moved into a Chevron station, I noticed the 'Now Closed' sign, made a quick U-turn, and headed up the bend. There were streets lined with hotels at my disposal, but my OCD preferred the cleanliness of my vehicle. I located what I felt was a safe spot with light from surrounding businesses, parked, and turned off my vehicle.

It was about 11ish. I consciously scanned the area, noticed to my right an old, beat-up Honda with someone seemingly reclining inside? I couldn't get a better visual due to the impenetrable tint. To my left was a white Chevy truck, no sight there either, but I felt okay. Across the street in the turn lane, I saw a "Williams City Police" car coming my way. Good vibe, I thought. I must have dozed off because upon awakening, I was freezing! It had to be about 30 degrees; I was shaking, my teeth were chattering, and an overwhelming feeling of terror began again, flowing through my bloodstream. I turned on my vehicle to warm up. Why had I done that? It's night, I'm in unknown territory, I chastised myself. The white Chevy truck was gone. I felt relieved because I didn't like being boxed in. In maybe 30 minutes, there were at least 10-15 Williams Police officers, pretty much circling my location. I made another mental note, what color are their vehicles? Don't forget, Williams PD. I still couldn't get warm, and I began feeling as if I couldn't breathe, like I was having a panic attack. Deep breaths, breathe, breathe. About 15 minutes later, I saw the McDonald's across the street had turned off their parking lot lights; a Kentucky Fried Chicken was also closing. I remember driving into the parking lot thinking, ugh... now I have to look at the Colonel? Fast food is the mind-killer, I thought. With no end to my "panic attack,” and seamlessly getting worse, I thought to call my daughter. I was shaking badly, my words were slurry, and I had just begun crying. My daughter started asking about my symptoms; I could hear her typing fast. I was crying, "I don't know what's wrong with me."

Edward Norton + Naomi Watts, but ITs nOT wHAt YOu tHiNK, iTS COmPLiCAtEd.

1 Clue: 🕵️‍♂️

“Bokanovsky's Process is NOT a fictional human cloning method in Aldous Huxley's 1932 novel Brave New World. The process involves treating fertilized eggs in a lab to create identical genetic copies of the original egg. The goal is to produce a stratified society with humans that have specific abilities and characteristics to fill specific roles.” NOTHING TO SEE HERE…. 🙄
What about now?🧜🪄

“ A Conversation with Grok: Celestial Bodies “

Carli: Please generate an image to elucidate the phrase, “we are all going to die.”
Carli: What’s that in the sky?

Grok: To identify what you're seeing in the sky, consider the following:

- **Planets**: Venus and Jupiter are often visible as bright objects in the night sky. Venus is particularly bright and can be seen in the evening or morning, while Jupiter is visible in the evening sky. On December 3, 2024, Venus should be visible in the evening twilight, and Jupiter will be rising in the east in early evening.

- **Stars**: If the object twinkles, it might be a star. Bright stars like Sirius or Capella could be visible depending on your location and time of night.

- **Satellites**: Look for moving objects; satellites often appear as steady lights moving across the sky. The International Space Station (ISS) is particularly bright and can be seen for several minutes as it passes overhead. You can check for satellite passes using websites like NASA's Spot The Station.

- **Aircraft or Drones**: Blinking lights typically indicate aircraft. Drones might mimic the appearance of slow-moving satellites but are usually lower in the sky.

- **UFOs**: While there have been discussions about unidentified flying objects (UFOs or UAPs) in recent times, with sightings reported on platforms like X, these are generally considered inconclusive without further evidence.